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Discover the ease of editing clips in Premiere Pro: how you can quickly set In and Out points, trim clips in the Timeline, work with audio waveforms, and more. In and Out points define a specific portion of a clip or a sequence. Marking is the process of setting the In and Out points of a clip. The In point is the first frame you want to include in a sequence. The Out point is the last frame you include in a sequence.
In a typical workflow, In and Out points for a clip are marked in the Source Monitor. Adjusting a clip's In and Out points after it is edited into a sequence is called trimming. Typically, trimming clips modify how they play back in a sequence. For example, as you view the edit, you want to cut to the incoming clip a little sooner than you originally planned while marking clips.
To fix that problem, trim the clip using trimming tools in Premiere Pro. Clips can be edited in the Source Monitor, Program Monitor, or on the timeline. You can trim clips by dragging the edge of a clip. You can edit multiple clips at the same time. Specialized tools allow you to trim an edit point easily and accurately, reducing the number of steps involved and maintaining the integrity of the sequence. There are many keyboard shortcuts available for the job of trimming, however, several of them aren't set by default.
You can work with audio clips, and audio from audio and video clips in the Source Monitor. You can view audio waveforms, scrub audio waveforms, and zoom in and out on audio waveforms. When an audio clip is opened in the Source Monitor, audio waveforms appear automatically. You can view the audio waveforms for clips containing multiple audio channels when opening them in the Source Monitor. To customize the style of the audio track, click Timeline Display Settings , the wrench tool on the timeline panel.
To display audio as waveforms in the timeline, select Show Audio Waveform. Scrubbing is when you drag the playhead across a segment of audio waveform. It is an efficient way to navigate in an audio clip. To open a clip in the Source Monitor, double click the clip in the timeline panel. The playhead appears when you click the audio clip. Click across the clip, forward or backward, to move along or scrub the clip.
You can zoom into an audio waveform in the Source Monitor to better identify locations for markers, In points, or Out points. To open it in the Source Monitor, double-click on an audio clip in the Project panel or Timeline panel. To zoom in horizontally, drag either end of the zoom scrolling bar that runs below the time bar in the Source Monitor. After returning to the default zoom level, double-click the vertical zoom bar.
It allows you to return to the previous zoom level. In Apple MacBook Pro computers, you can move two fingers on the trackpad vertically or horizontally on the zoom scroll bar to zoom in and zoom out on audio waveforms. To scrub audio, move two fingers vertically or horizontally anywhere in the Source Monitor except the zoom scroll bar.
The Source Monitor panel holds versatile tools, and methods for working with clips. You can use tools and techniques to set, move, or remove In and Out points, cue the playhead to any of these points, or preview the frames at their locations.
To open a clip in the Source Monitor, double-click the clip in the Project panel or Timeline panel. You can load more than one clip at a time in the Source Monitor. However, you can view only one clip at a time. Recently loaded clips are available from a menu at the top of the Source Monitor. Click the three stacked lines next to the sequence name and choose a clip from the drop-down list.
To mark an In point : Drag the playhead to the frame you want. Then click the Mark In button , or press the I key. To mark an Out point: Drag the playhead to the frame you want. Then click the Mark Out button , or press the O key. After you mark In and Out points, you can always change your mind before you edit the clip into the sequence.
Drag the In or Out points to a new position in the time ruler. Make sure that you drag the icon; otherwise, you simply cue the playhead. This technique also works with sequence In and Out points using the Program Monitor or a Timeline panel.
Similar to Move In point and Out point together. You use the Source Monitor to cue a frame for a clip and the Program Monitor to cue the current frame for a sequence. This command works across all tracks, selected or not. To go to the previous edit in any of the targeted tracks, click the Go To Previous Edit Point button. You can find these buttons in the button editor. It is present in the lower right corner of the Source Monitor. Timeline clip instances are not source clips. It is not possible to remove In points or Out points from timeline clips which have been loaded in the Source monitor.
You can trim clips quickly in the timeline using a combination of trim tools and keyboard shortcuts to select and adjust edit points. Before you can use timeline trimming techniques, it is important to select edit points for clips in the Timeline first.
You can select edit points with the mouse, or by using keyboard shortcuts. The Selection tool is the default tool in the timeline. Clicking the edit point with the Selection tool chooses a Trim In or Trim Out edit point selection, depending on which side of the edit point you select. Moving the Trim In or Trim Out points is called a regular edit.
The Ripple Edit Tool closes gaps caused by the edit and preserves all edits to the left or right of the trimmed clip. Clicking the edit point with the Ripple Edit tool chooses a Ripple In or Ripple Out edit point selection, depending on the side of the edit point you click.
The Rolling Edit Tool trims the In point of one and the Out point of the other, while leaving the combined duration of the two clips unchanged. Clicking the edit point with the Rolling Edit tool selects both sides of the edit point. Track targeting does not affect selection of edit points when using the mouse. Dragging, as opposed to clicking and releasing the mouse to select an edit point, both selects an edit point and performs the trim.
You can select the edit point of an empty gap between clips and use timeline trimming commands. From the context menu choose one of the following items:.
Multiple selections of edit points are possible, including more than one per track. Use the Shift key with any trim tool to select more edit points. You can also drag to select multiple edit points. To select multiple edit points, drag a marquee around a group of clips. If there are other edit points selected besides the one that you click, then they all change their type to the selected type.
The Apply Default Transitions menu item applies the current default video or audio transition to each of the currently selected edit point locations. There are keyboard shortcuts for selecting edit points that use the playhead position and track targets. For more information, see Keyboard shortcuts in Premiere Pro. Unlike selecting with the mouse, edit points on linked clips are not automatically selected unless the associated tracks are also targeted.
There are 5 "Select Nearest Edit Point" shortcuts you can assign in the Keyboard Shortcuts dialog box, one for each type of trim:. If the playhead is not already at an edit point, it is moved to the nearest edit point either forward or backward. Then the edit points at the playhead on all targeted tracks are added to the current edit point selection, using the type of trim for the particular shortcut.
You can use the menu item or shortcut for Deselect All to deselect edit points before using these shortcuts to start a new selection. It moves the playhead to the closest edit point on the targeted tracks. They maintain edit point selection at the playhead on targeted tracks, using the same type of trim as the previous selection. When there is no active edit point selection, these shortcuts only move the playhead. In trim mode, you can move to the next and previous edit points with the same shortcuts without leaving trim mode and edit points remain selected.
It moves the playhead to another selected edit point, except that all tracks are considered, not only targeted tracks. The playhead is moved, but edit points do not move. This shortcut exits trim mode. It cycles between the types of trims in the current edit point selection.
The trim type is changed from the current type to the next type in the order. In addition, there are several buttons and other user interface elements such as the video displays in the Program Monitor that can be used to perform a trim during trim mode.
See Working in trim mode. You can only trim a clip longer until you encounter another clip in the same track, and you cannot perform a trim beyond the duration of the media in the clip. When trimming multiple tracks, you can trim until either you encounter another clip in the same track, or you reach the duration of the shortest clip in the group. After selecting one or more edit points, you can simply drag the edit point selection in the Timeline to perform a trim. While dragging, the cursor changes to the appropriate trim type based on the edit point that is clicked to start the drag.
When dragging an edit point with the mouse in the Timeline, the trim snaps to other edit points, markers, and the playhead if the Snap button is on.
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You can set shortcuts to match shortcuts in other software you use. If other sets are available, you can choose them from the Set menu in the Keyboard Customization dialog box. In the Command column, view the command for which you want to create or change a shortcut.
If necessary, click the triangle next to the name of a category to reveal the commands it includes. Type the shortcut you want to use for the item. The Keyboard Customization dialog box displays an alert if the shortcut you choose is already in use. Repeat the procedure to enter as many shortcuts as you want.
The operating system reserves some commands. You cannot reassign those commands to Premiere Pro. You can assign the minus — key on the main keyboard, however. Premiere Pro lets you quickly and easily sync keyboard shortcuts between computers using the Sync Settings feature.
Using Sync Settings, you can upload the customized keyboard shortcuts from your computer to Creative Cloud. Then, you can sync the keyboard shortcuts from Creative Cloud to any other computer. For more information, see Sync settings using Adobe Creative Cloud. Keyboard shortcuts are synchronized for the same platform only, and not between Windows and Mac OS platforms. That is, keyboard shortcuts created for Windows only sync with a Windows computer.
You can copy your customized keyboard shortcuts from one computer to another computer, or to another location on your computer. The location of the customized keyboard shortcuts file depends on whether you've signed in to Creative Cloud Sync Settings in Premiere Pro or not.
To copy the keyboard shortcuts file to a location on a different computer, copy the. Then, copy the. The Keyboard Shortcuts dialog displays the keyboard shortcut as an editable button, which lets you change, add multiple shortcuts, or delete shortcuts. To add more shortcuts to a command, click to the right of an existing shortcut. If there is no existing shortcut, click anywhere in the Shortcut column.
A new shortcut button is created in which you can type the shortcut. To edit a shortcut, click the shortcut text in the Shortcuts column. The text is replaced with an editable button. Type the shortcut that you want to use. If the shortcut you type is already in use, an alert appears. Many editors like to have a keyboard shortcuts document they can search and refer to. Premiere Pro offers a way to copy and paste keyboard shortcuts into a document, and then print.
There are also pages in Help documentation that you can print, or save as a PDF. Whether you are copy and pasting into a document, printing a PDF, or inspecting the Keyboard Shortcuts dialog box, it is important to note the available commands that are mappable to the keyboard. You can engage in a much more keyboard-driven workflow by adding new keyboard shortcuts.
You can paste the lists of keyboard shortcuts from the Keyboard Customization dialog box into a text document, like a spreadsheet, from which you can print. The advantage of the copy and pasting method is that you can view your customized keyboard shortcuts, as well.
If you select Final Cut Pro, Avid Media Composer, or Custom keyboard shortcuts, then those keyboard shortcuts are the ones that are printed. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Visual keyboard layout for assigning keyboard shortcuts. Premiere Pro detects the keyboard hardware and the appropriate keyboard layout is displayed accordingly. When Premiere Pro detects a non-supported keyboard, the default view is to display the U. English keyboard.
By default, the Adobe Premiere Pro Default preset is displayed. When you change a shortcut, the preset pop-up menu gets changed to Custom. After you make the required changes, you can choose Save As to save the customized shortcut set as a preset. Color coding. Keys shaded in purple are application-wide shortcuts.
Keys shaded in green are panel-specific shortcuts. Timeline panel Choose the effect property from the effect menu next to the clip or track name. Move the playhead to the point in time where you want to add a keyframe.
Do any of the following:. This automatically creates a keyframe at the current time. Repeat steps 5 and 6 as needed to add keyframes and adjust the effect property.
Select keyframes. To select a keyframe, use the Selection tool or the Pen tool to click the Keyframe icon in the Timeline panel. To select multiple keyframes, Shift-click with the Selection tool or the Pen tool to select multiple contiguous or noncontiguous keyframes in a Timeline panel. To select multiple keyframes by dragging in the Timeline panel, use the Pen tool to draw a marquee selection box around the keyframes.
Shift-drag to add more keyframes to an existing selection. Delete keyframes. Do one of the following:. You can also press Delete. View keyframes and graphs.
View keyframes in the Effect Controls panel. Select a clip in a Timeline panel. In the Effect Controls panel, click the triangle to the left of the effect name to expand the effect you want to view. The keyframes display in the Effect Controls timeline. View keyframes and properties in a Timeline panel. Optional If the track is collapsed, click the triangle to the left of the track name to expand it. For a video track, click the Show Keyframes button , and choose any of the following from the menu:.
Displays the graph and keyframes of the Opacity effect for each clips in the track. Hides the graphs and keyframes for all clips in the track. For an audio track, click the Show Keyframes button , and choose any of the following from the menu:.
Displays the graph and keyframes of the Volume effect for each clips in the track. Displays the graph and keyframes of the Volume effect applied to the entire track. Optional Use the Zoom In control to magnify the clip so that the effect menu appears at the top of the track. You can also drag the boundaries above and below the track name to increase the track height.
Optional Drag the boundaries of a track header to change the height of a track. For a video track, drag the top of the track. For an audio track, drag the bottom of the track. To resize all expanded tracks, hold down the Shift key while dragging. Then choose the effect that contains keyframes. Place the pointer directly over a keyframe to view its property in a tool tip.
Set keyframe display for a Timeline panel. Click the triangle in the New Timeline Audio Tracks field to open the menu, and select one of the options. Click the triangle in the New Timeline Video Tracks field to open the menu, and select one of the options.
Move the current-time indicator to a keyframe. Effect Controls panel only Shift-drag the current-time indicator to snap to a keyframe. Modify keyframe values. Edit keyframe graphs in the Effect Controls panel. In a Timeline panel, select a clip containing an effect containing keyframes you want to adjust. In the Effect Controls panel, click the triangle to expand the controls for the effect. If no keyframes have been added, the graphs appear as flat lines. Optional To better view a graph, hover the Selection or Pen tool over the boundary line below a graph.
When the pointer turns into a segment pointer , drag to increase the height of the graph area. Edit keyframe graphs from a Timeline panel. Make sure a Timeline panel has at least one clip containing one or more effects with keyframes.
Select this clip and select the Effect Controls panel. Make sure that the keyframes for the clip or track are visible in a Timeline panel. In the Effect Controls panel, click the triangle next to the control you want to adjust to expose its Value and Velocity graphs. In the effect menu that appears after the name of the clip or track, select the property you want to adjust.
Version CC features improvements to content-aware tools, two new blur tools spin blur and path blur and a new focus mask feature that enables the user to select parts of an image based on whether they are in focus or not. Other minor improvements have been made, including speed increases for certain tasks.
Photoshop CC was released on June 15, Adobe added various creative features including Adobe Stock, which is a library of custom stock images. It also includes and have the ability to have more than one layer style.
The updated UI as of November 30, , delivers a cleaner and more consistent look throughout Photoshop, and the user can quickly perform common tasks using a new set of gestures on touch-enabled devices like Microsoft Surface Pro. Photoshop CC was released on November 2, It introduced a new template selector when creating new documents, the ability to search for tools, panels and help articles for Photoshop, support for SVG OpenType fonts and other small improvements.
Photoshop CC version 19 was released on October 18, It featured an overhaul to the brush organization system, allowing for more properties such as color and opacity to be saved per-brush and for brushes to be categorized in folders and sub-folders. It also added brush stroke smoothing, and over brushes created by Kyle T.
Webster following Adobe's acquisition of his website, KyleBrush. Other additions were Lightroom Photo access, Variable font support, select subject, copy-paste layers, enhanced tooltips, panorama and HEIF support, PNG compression, increased maximum zoom level, symmetry mode, algorithm improvements to Face-aware and selection tools, color and luminance range masking, improved image resizing, and performance improvements to file opening, filters, and brush strokes.
Photoshop CC was released on October 15, Beginning with Photoshop CC version This version Introduced a new tool called Frame Tool to create placeholder frames for images. It also added multiple undo mode, auto-commitment, and prevented accidental panel moves with lock work-space. Live blend mode previews are added, allowing for faster scrolling over different blend mode options in the layers panel.
Other additions were Color Wheel, Transform proportionally without Shift key, Distribute spacing like in Illustrator, ability to see longer layer names, match font with Japanese fonts, flip document view, scale UI to font, reference point hidden by default, new compositing engine, which provides a more modern compositing architecture is added which is easier to optimize on all platforms.
Photoshop was released on November 4, It added several improvements to the new content-aware fill and to the new document tab. Also added were animated GIF support, improved lens blur performance and one-click zoom to a layer's contents. It introduced new swatches, gradients, patterns, shapes and stylistic sets for OpenType fonts.
Presets are now more intuitive to use and easier to organize. With the February update version This version improved GPU based lens blur quality and provided performance improvements, such as accelerating workflows with smoother panning, zooming and navigation of documents.
Version 21 was the first version where the iPad version was released. It introduced faster portrait selection, Adobe Camera Raw improvements, auto-activated Adobe Fonts, rotatable patterns, and improved Match Font. This is the first macOS release to run natively on Apple silicon. Content Credentials Beta was introduced. When enabled, the editing information is captured in a tamper-evident form and resides with the file through successive copy generations. It aligns with the C2PA standard on digital provenance across the internet.
The Adobe Photoshop family is a group of applications and services made by Adobe Inc. Several features of the Adobe Photoshop family are pixel manipulating, image organizing, photo retouching, and more. From Wikipedia, the free encyclopedia. Raster graphics editing software.
For the colloquial verb meaning photograph manipulation, see Photoshop verb. For other uses, see Photoshop disambiguation. For the vector graphics language, see PostScript. Adobe Photoshop Thomas Knoll John Knoll. List of languages. Main article: Photoshop plugin.
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